A lot of people fall into the trap of assuming that disabled people are defined and limited by their impairments.
The social model of disability teaches us to think differently … about the way that we limit such people by the obstacles we create. So, for instance, someone who uses a wheelchair isn’t primarily prevented from getting to a meeting by the condition of their legs, so much as by the steps we built in front of the entrance, or the inadequacies of public transport provision.
With one in five of the population having some kind of disability, it’s therefore important to get our thinking straight and realise all the ways people can work quite successfully, if only we don’t perpetuate barriers and assumptions.
Tom Doughty has always been a musician. He only acquired his disability as a young man and, at first, he assumed that was the end of his guitar playing. But then he got determined to make sure his impairments shouldn’t get in the way. The result is an incredible talent and a great sound.
In this interview I talk to Tom about his life, his music, and those barriers he’s demolished.
If you’re smitten like me with his music then you can visit his web site http://www.tomdoughty.com. From there you can buy his CDs and also reach his MySpace and YouTube pages.
Tom Doughty has a very evocative and soulful style of lap slide guitar playing. I’ll be interviewing him next on Just Plain Sense. In the meantime, here’s a taster and you can visit Tom’s web site at http://www.tomdoughty.com
The final weekend in August saw Manchester, one of Britain’s most LGBT-friendly cities, hosting its annual three day Pride celebration. In this reply to a similar French video, the revellers deliver a one-fingered salute to homophobia based on Lily Allen’s “F**k You!”. Shame the homophobes never seem to have so much fun in their lives.
Adele Anderson is one of the mainstays of the comedy/satire trio Fascinating Aida.
In the previous episode I talked to her about FA’s uniqueness as three women writing and singing comic political satire for over 25 years.
It’s also quite widely known that Adele is a transsexual woman. Maybe that’s not such a big deal nowadays, when people have seen many representations of trans women (real and fictional) in film and TV. In this interview I talk to her about the way it was received 25 years ago, and the TV dramas and films she’s been involved with in the years since then.
The songs you hear in this programme can all be heard in full on Adele’s Myspace Page.
They are described as Britain’s sassiest, funniest, craziest musical comediennes. Imagine “Sex and the City” with harmonies. The Mail on Sunday said, “See them before you die or your life will have been meaningless”…
Fascinating Aida have been collecting ecstatic hyperbole from reviewers for a quarter of a century and have an immensely loyal fan base. Yet, in Britain at least, musical comedy and satire is still not an area that all that many women have conquered. So what’s the secret of showbiz success and longevity for three women with a wicked sense of humour?
Adele Anderson, who joined the Act a year after it was created in 1984, was very generous with her time for this interview in her hotel room, a couple of hours before going on stage at the Lowry in Salford. In fact we spent so much time that there’s enough for two episodes.
This first episode departs from the normal “Just Plain Sense” format to focus on the group itself, their music and Adele’s career. In next week’s episode Adele talks about press interest in her personal background and some of the TV and film projects she has appeared in.
The songs you hear in this episode come from the albums “A Load of Old Sequins” and “It, Wit, Don’t Give a S**t Girls”, which can be purchased from FA’s website or online from iTunes. Fans of FA may also be interested in this interview with Adele’s colleagues, Dillie Keane and Liza Pullman
Just Plain Sense provides a mix of talks and interviews about Equality and Diversity in Britain today. There is a particular emphasis on the 'developing' areas such as LGBT but overall I set out to capture a truly diverse range of voices to talk first hand about what it means to work towards and live in a tolerant, diverse society -- and what we still need to do to get there.
Christine Burns
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